Traveling theatre

The masks we wear.

When I was much younger there was no television, only radio and it was referred to as a “theatre of the mind.” Unlike television, where we see visual performances on screens across the room, we saw performances in the imaginary theatre of the mind. 

In some ways, the imagination was more vivid and pictorial than watching images on a TV screen. Ours was an internal screen (actually our screen was the primary visual cortex located at the back of our brain). What none of us realized then with radio, or now with television, was that the ultimate screen remained, located in our brains rather than across the room.

We all look out upon our moving, conditional, changing world and see what we all take to be real. In fact what we are seeing remain images being projected upon that internal screen—our primary visual cortex. Images are all just shadows of what’s real. And out of that projection, we form an idea of who we are; one self-image built upon other images and none of it real. 

Nevertheless, we take it (our egos/self-images) as real and become persuaded, guarded and protective of that fabricated image, feeling insulted and inflamed when the role requires a different sort of performance. Some are fabricated out of harsh experiences and formed into negative self-images (hateful and hated) while others fabricate theirs out of more genteel material and fabricate loving self-images, with every step in between. 

Regardless of harshness, genteel, or anywhere in between, all of the end results are unreal simply because the material is unreal. The base material determines the end result. As the saying goes, “You can’t make filet mignon out of hamburger.” The fundamental point here is that we all take our ideas of whom and what we are far too seriously, never realizing how conditionally unreal we are actually. 

How much better, for everyone if we all recognized this fact and lightened our emotional/mental load and became what we truly are—performers, acting out changing roles. And as performers, we adapt to changing circumstances with changing roles and play the part as circumstances dictate.

And a part of this traveling theatre is the recognition that we are also real observers. So we play the roles, with a chuckle in our hearts, knowing full well that we can perform as the role dictates and at the end of the day leave the roles behind and go home to ourselves. It is important to us all to see conditional life as just a show. We are the players; all different. Conditional life is the stage, and the real us—all the same, are the observers: as different and distinct as snowflakes yet fundamentally just indiscriminate snow. Distinctive snowflakes melt into indistinct snow and that becomes the water of unity.